Sunday, 23 January 2011

Black Swan

First things first this is a really good film. Its also very typically Aronofsky. In Pi my main complaint was his rather self-indulgent 'going crazy' scenes. Since Black Swan wholly consists of someone 'going crazy' its a good sign that I was still gripped. It did become rather tedious however that EVERYTHING was a hallucination or dream. He pulls the- 'it didn't actually happen trick' far too many times to the point that the last, and what should have been the most important, hallucination became obvious. 80% of the film didn't happen.

Aronofsky's most frequent criticism is that its simply exploiting the emotions of the audience. Images such as pulling skin from a finger is a clever one because its not overly grotesque (Requiem for a Dream) and everyone can relate and feel the pain. The question is whether or not if the image was isolated would it cause the same reaction? Or is it meticulous cinematic build up that makes it so disturbing?

Aronofsky's dark and dirty scenery is changed for the hyper polished and clean ballet studios and this is a breath of fresh air. Ballet studios are magnificently SHOWN in dark and dirty ways instead rather than the other way round. Just as he showed the sensitive side of a wrestler he shows the inner demon of a ballet dancer. Its good but not perfect.

2 comments:

  1. i like this movie a lot. i agree with everything you say, but why dont you comment on the theme at all? i feel like theres much more that can be said if you look at it as an examination of purity vs. corruption

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  2. actually i dont agree with everything you say, but we can discuss this more in person

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